It's been a weird 72 hours for EDM. Swedish House Mafia announced their next tour will be their last. With a well-written editorial, Dancing Astronaut slammed DJs for becoming too complacent due to mainstream success. And, to further pour salt in the wounds, Paris Hilton made her DJ debut in Sao Paulo. On Saturday, deadmau5 took to Tumblr for an epic rant clarifying his diss at "press play" DJs in the latest issue of Rolling Stone. Titled, "we all press play," Joel Zimmerman dishes out some real-talk on what the genre's become, pointing out how all the "top DJ in the world" are pretty much doing the exact same thing live these days: Pressing play in Ableton. If you're a fan of the genre, it's a must read. We've excerpted the post below.
its no secret. when it comes to “live” performance of EDM… that’s about the most it seems you can do anyway. It’s not about performance art, its not about talent either (really its not) In fact, let me do you and the rest of the EDM world button pushers who fuckin hate me for telling you how it is, a favor and let you all know how it is.
I think given about 1 hour of instruction, anyone with minimal knowledge of ableton and music tech in general could DO what im doing at a deadmau5 concert. Just like i think ANY DJ in the WORLD who can match a beat can do what “ANYONE else” (not going to mention any names) is doing on their EDM stages too. have a look, then let me explain:
okay, so heres me, in a big silly mousehead.. twiddlin a knob or somethin… okay so heres how it works…. Somewhere in that mess is a computer, running ableton live… and its spewing out premixed (to a degree) stems of my original producitons, and then a SMPTE feed to front of house (so tell the light / video systems) where im at in the performance… so that all the visuals line up nicely and all the light cues are on and stuff. Now, while thats all goin on… theres a good chunk of Midi data spitting out as well to a handful of synths and crap that are / were used in the actual produciton… which i can tweak *live* and whatnot… but doesnt give me alot of “lookit me im jimi hendrix check out this solo” stuff, because im constrained to work on a set timeline because of the SMPTE. Its a super redundant system, and more importantly its reliable as F*CK! And obviously, ive done the show a couple hundred times easily by now, so the focus over the past few runs with the “cube show” has been more revolved around adding new audio / visual content to keep it current.
so thats my “live” show. and thats as “live” as i can comfortably get it (for now anyway) of course itll evolve, and change up, but im sure a few key principles will always remain the same.
Im just so sick of hearing the “NO!!! IM NOT JUST DOING THIS, I HAVE 6 TABLES UP THERE AND I DO THIS THIS AND THIS” like… honestly. who gives a f*ck? i dont have any shame in admitting that for “unhooked” sets.. i just roll up with a laptop and a midi controller and “select” tracks n hit a spacebar. ableton syncs the sh*t up for me… so no beatmatching skill required. “beatmatching” isnt even a f*cking skill as far as im concered anyway. so what, you can count to 4. cool. i had that skill down when i was 3, so dont give me that argument please.
you know what makes the EDM show the crazy amazing show that it is? you guys do, the fans, the people who came to appreciate the music, the lights, all the other people who came, we just facilitate the means and the pretty lights and the draw of more awesome people like you by our studio productions. which is exactly what it is. But to stand up and say youre doing something special outside of a studio environment, when youre not, just plain f*ckin annoys me.
deadmau5's "The Veldt" EP hits iTunes today.